Let’s talk about the Holiday Movie Heroine***.
She’s never been someone I can relate to. At least not after the first 15 minutes. I still watch… but I’ve got words for her.
She generally starts off as a high-powered professional with a heart of cold steel… or a mid-level top performer long overdue for a promotion… or a small business owner who doesn’t know how to ask for help. She’s generally lonely or has a shitty partner, but somehow has an exceptional stable of great friends all of whom are coupled (unless of course, they are the eclectic friend, then that’s the reason why it’s okay for them to be single).
In other words, she only thinks she can take care of herself. If she didn’t have these amazing friends to script everything in her life, she’d be lost. And this is clearly the foundation for her imminent Holiday makeover.
She’s typically a writer, or a baker, or an event planner. Occasionally, a home designer or dog walker, or some type of advertising/marketing genius. And more recently, as the universe has been screaming for it, occasionally a woman working in STEM or something else out of the norm, but only on paper, not in any meaningful way that affects the story.
What she never is: perfectly comfortable with her situation. And she’s never supported by the people in her life.
If her career is gangbusters, it’s because she’s thrown herself into it to avoid someone (usually, but not always) back in her small town home and NO ONE lets her forget how well said avoided-person is doing. Avoided-person gets a veritable crap-ton of acceptance and support for how well they’ve done, all the leaves they’ve turned over, and how much they’ve grown since the offending incident. Our leading lady, not so much. She gets no credit for how far she’s come in her career, how she’s raised a child alone, how she forged a new path on her own. Whatever she’s accomplished doesn’t count, because she doesn’t have a partner and really needs to give avoided-person a chance.
If she’s thrilled to be going to the aforementioned hometown, she’s got a too-involved boss or a friend or a nosy neighbor who is constantly trying to set her up with your friendly hometown single guy/new-in-town single dad/best friend who has been under her nose all this time. Whatever she’s got going for her, or doesn’t, her life will be fixed as long as she listens to them and goes out with prescribed human.
But don’t worry folks, in the end, she’s going to figure it all out with a dose of getting-back-to-her roots tough love and some holiday magic (plus, a whole heap of hot chocolate). She’ll figure out that she really does love this guy that’s been dropped in front of her (for approx. 2 weeks) and that she really doesn’t need to work so much or that she really hates her life and wants to move back to where she came from.
Cue the kiss. Roll the end credits.
Sure, it’s what we’ve come to know and (generally) accept, and, admittedly, it does still rustle up a few warm-and-fuzzies every season. Finally, the Hallmarks and the Lifetimes are starting to add color and variety into not just our ‘best friend and co-worker’ tropes but to our leads (one channel better than the other). You know, making it visually reflective of say, oh, the world we actually live in. If there’s a formula for our holiday happiness surely it’s easier to write, easier to shoot, and certainly, easier to crank out 30-40 new movies a year. Of course, I’d define the term ‘new’ loosely.
As someone who watches an admittedly aggressive number of these new holiday movies each year, I’ve got to wonder why I still do, when I never see the woman (or for that matter) the person I’m looking for in them.
Why isn’t our leading lady:
- Happy in her job and excited to enjoy the magic of Christmas in the city she lives in?
- Happy in her life – great friends, great family –
looking for, scratch that, open to someone fabulous to add to the happiness? A bonus person, if you will. Welcome, but not essential for living. - So good at her job that this new fabulous person is willing to give up their [job/house/etc.] to move where she lives? Or hell, try long distance?
- A top surgeon. A race car driver. A top mechanic. A beloved sports announcer for the Red Sox. An astronaut. A deep sea diver. This list goes on forever. She can be a damn ballerina/wizard/boxing champion who runs the world’s largest venture capital company specializing in tiny home communities for displaced badgers. She can be literally anything.
- Surrounded by friends (hell, even just one) who actually support her singledom. Like, for real. Not in the ‘I’m here for you, but if you would just wake up and realize you are in love with my brother all will be right in the world’ way.
- Surrounded by friends like her — who are single, adulting, and occasionally messy, but fun, interesting, and honest about who they are.
- Off on some holiday adventure with all of her chosen family. Making memories. Learning about other traditions than they grew up with. Practicing hobbies that fill her heart like ski racing or knitting or building model airplanes. Spending the holiday building houses for Habitat for Humanity. Or competing in a roller derby tournament that all of her friends and family travel to and cheer loudly for her in the stands.
- Not a woman. Surely, somewhere out there are other people who embody the same leading traits and are just looking for love.
Because I recognize all of those people. And frankly, I’d like to see more of them.
I’m not advocating that we kill the happy ending or throw out the finding love at Christmas tropes at all, but let’s define happy as it exists: in a wide variety of forms. Let’s spend a couple extra weeks on scripts and write more of the people we know. Make fewer movies each year and put that budget towards alternative locations and costumes. And, so we can start teaching by example, writing some straight men who are in touch with their feelings, confident in their manhood enough to [fill in the blank with your favorite not-traditionally-male activity], and getting over their ex while hiding out in their favorite small town.
*** For the purpose of keeping this blog post under one million words, I’m speaking generally about the wholesome girl-next-door heroine trope who (still in 2021) absolutely dominates the holiday movie industry. IMHO we need to speed up the increase in LGBTQ+ holiday stories. All of them. We are long overdue for a drag queen Christmas tale. I’d love to see a non-binary Christmas love story where the correct pronouns are just used (not used for educational purposes, just used). And, while we are at it, diversity isn’t just color-blind casting for characters who all celebrate the holidays in exactly the same way. Families are blended and so are their holiday traditions: show me Las Posadas, show me more Chrismukkah, show me how Christmas blends into Kwanza. And, the list shouldn’t stop there.